Thursday 21 October 2010

Tech Specs


Tech Specs

By Robert

This month we’re looking at Green Screen and Blue Screen Filming. To get the best ‘Key’ from the Blue or Green Screen setup requires a combination of accomplished lighting and accurate lighting ratios, together with a Camera record format that will deliver the best chromakey from the format signal processing. On the face of it, lighting a small or large Green Screen area might seem simple, except the lighting has to be even, preferably within a tenth of a stop and at a ratio to the subjects filmed. So why not call in the experts who know the green screen scene.

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